My night is more beautiful than your day. It's a nostalgic title. It may be reminiscent of some of Kona's old songs to some, and of a movie starring Sophie Marceau. This movie, song, and webtoon have one thing in common: that a ‘woman' appears. Rather than being just a woman, it's better to be close to a Femme Fatale.

 

Webtoon's approximate plot is the conspiracy of politics surrounding the death of a woman of physiognomy and its revenge towards that

 

 

It was revealed in Season 1 that the real modern events of the 1970s were reconstructed, and many readers thought of this as "Jung In-sook murder case." Of course, only the author knows the truth.

 

One thing we should point out here, however, is that this does not indicate the authenticity of the actual event, but rather that the mysterious deaths of women involved in this politics have always existed in history and are still in progress.

Further, the femme fatale itself has been in the form of a witch and in the form of a girl. Deadly beauty and charm was enough to create fear, and people also created a virtual femme fatale called ‘Succubus’ based on this fear.

 

Looking back at history, these femme fatales are usually close to the powerful. Most of these women were of poor origin, and vice versa, if they were born in a family of powers from the time of femme fatale, there would be a character like Elizabeth Bartori, nicknamed the Queen of Blood.

 

Femme fatale is a term that refers to a beautiful and deadly woman that has been transformed and developed in various forms throughout the ages. By positioning, it affects the modern times. Is it due to this deadly beauty, fear? The end of Seol-hee, the key figure of the modern femme fatale, was not much different from the women in history.

 

On behalf of her deceased parents 'Ha Mi-woo', her sister who loves her brother and loves her terribly, she wants to help her brother to realize her dreams without worrying. His brother, ‘Ha shi-woo,’ is the national tennis player. After returning to Korea in three years, Shi-woo believes her sister's car and home are too expensive, but she only believes that she works for a foreign consulting firm. Mi-woo understands how she became the best host in Korea because she needs to have some dialogue to work with people from Seoul National University and in politics.

 

Shi-woo hates a girl who usually goes to business. People who go to a business place distinguish between men and women and say they are dirty. She didn't know her sister was so supportive. She noticed my sister Mi-woo's suspicion, but she was assassinated when Shi-woo was about to understand. Shi-woo gets to know the people who are involved in her sister's death one by one and gradually takes revenge.

 

The artist's team, which was in charge of the work of the early season 1, went into a long-term suspension, and after a long gap of two years, it was a controversial work. The two artists, Han Dong-woo and Mr. Byung-su (text/picture), who took over the role and started to serialize with a new style of painting, had to suffer for nearly a year and a half.

 

 

  

Left) Ha Shi-woo (alias Seul-hee) of Season 1   

Right) Ha Shi-woo of Season 2 

Most of the contents of the bad comments were about new styles of wind, which resulted in less immersion. In the middle, the lack of communication between authors and readers became controversial, and in recent years the atmosphere of cheering and encouraging messages has been the main focus. As a personal fan of this webtoon, I would like to extend my heartfelt applause to the two authors who have continued their serialization in difficult situations and tried hard to break the preconceptions of their readers.

 

Personally, I felt that the people who consistently wrote bad comments and those who now send messages of support and encouragement were similar to those in the 'politics' who are looking for the pleasure quarters. They said the mind when entering and the mind when exiting is different. Readers who read due to the erotic nature, say don’t glorify the women in the pleasure quarters. They are so poor that they go there, but are thrown out and then disappear into history.